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Spielberg’s West Side Story:

Paul E. Fallon
6 min readFeb 16, 2022

Withered on Arrival, Dead at the Box Office

The nominations have been announced: welcome to Oscar season! Steven Spielberg’s remake of West Side Story nabbed seven. I call that a gesture of sentimentality.

Before last December’s premiere, my musical theater friends (of which I have several) celebrated the reboot of this American classic. My response to their excitement was: why?

Movie remakes are common. A Star is Born three times over, and each iteration has its merits. There’s also money to made remaking a classic. The original West Side Story won a whopping ten Oscars. It was also box office gold: recouping its $6.5 million budget more than six times over (worldwide receipts: $44 million). Surely we are ready for a dazzling yet culturally sensitive update.

Ahhh, I never thought so. And judging from the tepid audience response the film has received ($62 million worldwide on a production budget of $100 million two full months after release), neither do many others.

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Paul E. Fallon
Paul E. Fallon

Written by Paul E. Fallon

Seeking balance in a world of opposing tension

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